Kerrie Smith's “Flora Ficciones” series explores the vibrant, fleeting beauty of nature through richly detailed paintings
When I began writing articles for MutualArt a couple of years ago, I initially struggled to develop a unique voice and perspective. Having been trained primarily in academic writing (and being naturally inclined to a more analytical mindset), the conversational style of a magazine article for a broad audience of artists and art lovers posed a bit of a challenge. When I look back at my early articles, I find that many of them read closer to the kind of essay you’d expect to find in a classroom – and much of that, I eventually discovered, had to do with my editing process.
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